Current — September 2026: The Gold Route, proposal in progress.
I work from forced displacement, historical memory, and the Mediterranean as a space of contemporary disappearance. Photography is my core medium, deployed in an expanded field where image, archive, object, and painterly intervention coexist on a single surface.
I think in nodes, not systems. Each project is an island that relates to the others through projection, not continuity. What binds them is not style but method. Not to photograph the body of the other. To inscribe verified data onto matter. To treat the object as witness, not as backdrop.
The body of work is organized in two movements: produced work and research projects. Each one is explained in the Work section.
The whole is organized in three moments. Ongoing research projects, where the central axis of the practice unfolds. Projects and programs in proposal, anticipating the line that follows. And autonomous works, parallel lines that operate from the same thinking through their own languages.